Thursday, January 1, 2009

Ghajini ... Aamir is the real Ghajini

If New Year deserved anything better, I don’t know what. I watched Ghajini today after partaking my breakfast. It was a 3-hour roller-coaster of emotion.

Did I like it? Yeah. Can it bear the tag of the most profitable movie of Indian Cinema? Yeaah. Is it the phenomenon? Yeaaah ….

Is it exceptional? No answers

I don’t have answers, because I don’t want to answer it. It is for you to analyse.

The movie starts off with description of a zapped Aamir Khan. Then he dashes on the screen thrashing a baddie, splashing everything out in the process. As the fighting culminates, he pulls out a tap rod and carves it inside the damned guy …. I cringed. You are not Aamir Khan, or may be a throwback of mid-90’s poor action pretender in movies like Aatank Hi Aatank, Parampara etc

The screen rolls on. We see the names inked on his body to make him remember everything of evil done to him. He doesn’t say much, but conveys everything through his histrionics. Some reels on, we delve into his previous life. The more familiar Aamir Khan arrives, and I enjoy the zippy love story. Asin is vivacious. Where were thou? Hindi film industry needs you. In between, alternate the uber-angry and the more-human Aamir Khans. The story moves on as in a Bollywood flick and climaxes with the slaying of the villain. Too Bollywoodish , or Mementoish, Pearcine …. To heck with Memento or Guy Pearce. This is Bollywood and Aamir Khan.

So, I described the movie with the perspective of Aamir Khan only. The reason: the movie is Aamir Khan and vice-versa; the rest are mere complements. This guy is just fantabulous in the way he reads the pulses of the movie-going industry. In Ghajini, he is not a fake action hero as feared by me initially. He is an obsessed revengeful person having undergone a total personality change. Who can pump in so much body to make the movie real too? He brings out one of his characters not seen by us before. Actually he extends his range of acting oeuvre.

The movie is in line to become the first Indian flick to garner 100 crore rupees inside India. It deserves this recognition because it is a perfect potpourri of masala. My analysis of the movie should end here (as it is for you to analyse), before I draw the creative knife and shred its unAamirness to pieces. For me, the movie is only Aamir, and my theory rests that Aamir did it to remind himself and everyone that he can churn out a mass entertainer too. It has already been a wholesome year for him as producer, director and actor, and if TZP gets nominated for Oscar, it will take him to the pinnacle. He is the best actor; for sure, he will become the most glittering star too of Bollywood then.

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